~ Morocco ~ Super performers ooze confidenceĭon’t confuse attitude with confidence. ![]() The audiences ears hear the music, and their eyes see you being that music. The more you understand the music, the easier you can dance. In fact, a performer can be musical even without dancing to music! It is always helpful to have at least a basic understanding of music composition or theory but THINKING about what you FEEL and HEAR in music and applying these to your dance practice is the first step in bringing musicality to your performance. Resisting “sameness,” as they dance, they incorporate crescendo and decrescendo (sudden or gradual changes in the quality of the movement) that often reflect or work within the accompanying music or score.Ĭhoreographers utilize music in different ways and a good performer will seek to understand what part of the music (rhythm, melody, counterpoint, etc.) the dance-maker is using to inspire their movement. When counting, it is easy to forget that a beat includes not only the sharp “tap” of a particular rhythm but also the space between those taps, just as all movements include transitions and shifts of weight between desired “shapes” of the body.Įxciting and musical performers fill these spaces in the music and movement, not letting the energy or intent drop between shapes or between counts.Įnjoyable performers also utilize dynamics in their performance. While counting helps dancers to be precise and together in their movement, musicality in performance is expressed through more than just counting beats. ~ Natalia Makarova ~ Super performers understand musicalityĮveryone has a different way of thinking about the concept of musicality and there is great discussion on this topic HERE and elsewhere. People come to see beauty, and I dance to give it to them. This will improve any type of expression and, if fitting, make possible a smile that comes easily but is not plastered to your face. While a smile can be important during certain types of dances, it will not match the mood in all dances. Truly SEE, LOOK, and TAKE IN the world through your eyes as you dance.Īs for the rest of the face, be natural. Audiences respond well to performers who utilize this technique. It is the same expression most people use when making eye contact with or really listening to a friend, or when they are speaking excitedly in conversation. As you perform, engage the muscles in the face by slightly lifting the eyebrows – not to a comical extreme, but in a way that is comfortable and easy to maintain. So, rather than focusing on a “smiling” mouth, I suggest that students practice an “open” expression with their whole face but especially the eyes.Īlthough THINKING or FEELING this concept is at least half the battle, there are some things you can DO in this case. Real or sincere facial expression often has more to do with the eyes than with the mouth. ~ Wayne Dyer ~ Super performers know… the eyes have itįacial expression is important in dance but it’s more than just smiling in a performance. When you dance, your purpose is not to get to a certain place on the floor. None of these are things that you DO so much as things you FEEL and THINK as you perform. Make eye contact, direct your energy to one person within the audience or project your energy to the others around you, and use or respond to the energy of others give to you. How can you involve the audience or the other dancers on stage with you in your performance? If this makes you nervous, it may be useful to know that according to The Anxiety Treatment Center (Chicago area), involving the audience can actually lessen your anxiety or stage fright. Do not forget or ignore that they’re there. Include the audience in your performance. Super performers never dance alone, even in a solo We’ve listed them here so you can steal them! As you get ready to take the stage if you’ve never put much thought into this area of your dance practice before, be sure to practice your performance skills with as much effort as learning your steps. ![]() ![]() In reality, these “secrets” are usually learned and discovered through experience and by watching other performers just like the seven performance tips below. These natural performers seem to know the secrets of a magnetic stage presence that others do not. Some students know how to “work a crowd,” dancing with energy and moving with joy.
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